***
you once shared with me
your five year plan
and asked me to
write one too
without realizing
my five year plan was
you, just
you.
***
***
you once shared with me
your five year plan
and asked me to
write one too
without realizing
my five year plan was
you, just
you.
***
Mexico
at the stake
Mexico
with flaming arrows
Mexico
the scimitar'd
Mexico
the crowny thorn'd
Mexico
strangled by its
own cord
Mexico
The Pope killed
our president
Mexico
that grim art
fabric, twine and
cardboard kaleidoscope
like the scrapbooks
my mom used to make,
and cochinita, to write
on Fernando Garcia Ponce
is to deal with un problema universal
and his personal desperation
rolling stones and Dylan
on the radio
searching the whole wide world
for the holy gringo
(at least that’s what i heard)
and the parque san juan
with the birds chirping
not such
an unusual thing, but it felt
noteworthy
what fantastic reliefs
what sculpted truths
what sacrificial lambs
what serpentine roots
in uxmal, beheadings, for some
great god
and hoops to pass the heads through
wait, no, there was rubber
for that
the heads rolled after
walled windows in the distance
that form staircases in my mind
climbing higher into ____
(i left this part blank
for some reason)
and a palm facing east
the highest form
of expression to the gods
water
refracts
but in blue
light
drips
down the wooden staircase
the best rip off
we ever had,
as i floated
taking pictures
without a GoPro
ferrying my cell phone
over the river Styx
like Charon
with a life jacket
so that it wouldn’t
get wet
would i have gone after it
if it had sunk?
And Garcia Madero
who gets into the Impala
on New Year’s Day
knowing
he was never meant to stay
isn’t that a great moment
in the story,
when everything
is about to change?
Dancing chairs and
Trucks full of hair (rope,
i am later told) upstairs,
la revista militar
de avacion, aerofotogrametria
beneath the chandelier lights
"they were just towns,
and now, they are
actually cities"
Jesus, the Meridian teen
who dreams of dinosaurs
in New York, and sells
hammocks from heaven
(cielo is the word,
if you really must know)
and Yuri Knorosov
staring at me with
his cat, cryptic as the
Mayan tablets he labored over
and found here, in Merida,
amid easter egg houses,
surely they knew their scribbles
would be immortalized, forever
in a jpeg taken on Jimmy's phone
which more conscientious beings
recovered
long after the world
exploded.
I am here
screaming for you to witness
my existence, like
an app that has been
recently downloaded
and whose notifications
have yet to be turned off
***
have you thought
about the ways
our faces have changed?
sin titulo
they're all we have
and yonis of strange
and Yucatanian ways
Ladies walking
armadillos through the sand
Gerda Gruber
on the nightstand
beating hearts on
arrow tips and
ceramics
we cannot touch
seashells, and
emoticons, hojas
we leave behind,
even the devil
reads
and when we lift serpents
Above our heads
it appears that we are
kissing
***
***
the historians
are careful to note
that when the Spaniards arrived
this was
a declining civilization
the Mayans
and this temple
in Tulum
with the statue tying
its umbilical cord
to the goddess of
fertility
where the door
gazed out to
the rising sun in the east,
and i joked that
somebody now should create
a temple to infertility,
that these days, such a place
would drive pilgrims from
all the world around.
and then in Mahahual
me writing
to remember what I
and my buddy
who rubs his temples
each morning
trying to restore the
mohawk that he lost.
white sand feeding
white necked palms
thatched roofs and
sudden storms
the peace before
and guero girls dancing
in the wake
a photographer waiting
at the break
chirping, as the birds did
laughing
at the ridiculousness
of it all
Their beauty and
the miracle of flaunting it
in impossible blue waters
so much fish
in the sea
when the camera
was gone
one returned from the land
into fossilized waves
as it was always meant to be
and danced, her rainbow colors
fluttering
finally, free.
***