***
you once shared with me
your five year plan
and asked me to
write one too
without realizing
my five year plan was
you, just
you.
***
***
you once shared with me
your five year plan
and asked me to
write one too
without realizing
my five year plan was
you, just
you.
***
Mexico
at the stake
Mexico
with flaming arrows
Mexico
the scimitar'd
Mexico
the crowny thorn'd
Mexico
strangled by its
own cord
Mexico
The Pope killed
our president
Mexico
that grim art
fabric, twine and
cardboard kaleidoscope
like the scrapbooks
my mom used to make,
and cochinita, to write
on Fernando Garcia Ponce
is to deal with un problema universal
and his personal desperation
rolling stones and Dylan
on the radio
searching the whole wide world
for the holy gringo
(at least that’s what i heard)
and the parque san juan
with the birds chirping
not such
an unusual thing, but it felt
noteworthy
what fantastic reliefs
what sculpted truths
what sacrificial lambs
what serpentine roots
in uxmal, beheadings, for some
great god
and hoops to pass the heads through
wait, no, there was rubber
for that
the heads rolled after
walled windows in the distance
that form staircases in my mind
climbing higher into ____
(i left this part blank
for some reason)
and a palm facing east
the highest form
of expression to the gods
water
refracts
but in blue
light
drips
down the wooden staircase
the best rip off
we ever had,
as i floated
taking pictures
without a GoPro
ferrying my cell phone
over the river Styx
like Charon
with a life jacket
so that it wouldn’t
get wet
would i have gone after it
if it had sunk?
And Garcia Madero
who gets into the Impala
on New Year’s Day
knowing
he was never meant to stay
isn’t that a great moment
in the story,
when everything
is about to change?
Dancing chairs and
Trucks full of hair (rope,
i am later told) upstairs,
la revista militar
de avacion, aerofotogrametria
beneath the chandelier lights
"they were just towns,
and now, they are
actually cities"
Jesus, the Meridian teen
who dreams of dinosaurs
in New York, and sells
hammocks from heaven
(cielo is the word,
if you really must know)
and Yuri Knorosov
staring at me with
his cat, cryptic as the
Mayan tablets he labored over
and found here, in Merida,
amid easter egg houses,
surely they knew their scribbles
would be immortalized, forever
in a jpeg taken on Jimmy's phone
which more conscientious beings
recovered
long after the world
exploded.
I am here
screaming for you to witness
my existence, like
an app that has been
recently downloaded
and whose notifications
have yet to be turned off
***
have you thought
about the ways
our faces have changed?
sin titulo
they're all we have
and yonis of strange
and Yucatanian ways
Ladies walking
armadillos through the sand
Gerda Gruber
on the nightstand
beating hearts on
arrow tips and
ceramics
we cannot touch
seashells, and
emoticons, hojas
we leave behind,
even the devil
reads
and when we lift serpents
Above our heads
it appears that we are
kissing
***
***
the historians
are careful to note
that when the Spaniards arrived
this was
a declining civilization
the Mayans
and this temple
in Tulum
with the statue tying
its umbilical cord
to the goddess of
fertility
where the door
gazed out to
the rising sun in the east,
and i joked that
somebody now should create
a temple to infertility,
that these days, such a place
would drive pilgrims from
all the world around.
and then in Mahahual
me writing
to remember what I
and my buddy
who rubs his temples
each morning
trying to restore the
mohawk that he lost.
white sand feeding
white necked palms
thatched roofs and
sudden storms
the peace before
and guero girls dancing
in the wake
a photographer waiting
at the break
chirping, as the birds did
laughing
at the ridiculousness
of it all
Their beauty and
the miracle of flaunting it
in impossible blue waters
so much fish
in the sea
when the camera
was gone
one returned from the land
into fossilized waves
as it was always meant to be
and danced, her rainbow colors
fluttering
finally, free.
***
these days my heart
is always on the verge
of breaking in two
like communion hosts
dipped in wine
once made sacred
once made divine
***
they say trains sound like tornadoes,
but sometimes, in Baltimore,
when my eyes were closed
to the neon purple lights outside
my shadeless windows
the trains sounded more like whales
singing their songs
out into the darkness,
keeping me
awake.
and somewhere in Mexico
there are people
wide-eyed with want
watching whales flip fins in
Puerto Vallarta
wishing to hear them sing
as i already did.
***
some times i wish i could be
the paper beneath your pen
you can tell a lot about a person in
that space between a period
and a sentence's end,
and all the times you erased
the thoughts you thought alone
in order to communicate
i understand the urge
i really do
but for once, let me be
the blank page upon which you fill
your random musings
unfiltered and true and flawed
the dusty window pane forming
the glorious kaleidoscope
of sun on a Saturday morning
in winter, when things
are chilled but not yet cold.
give me that luminescent love
all squirming, mindless affection
like jellyfish in a lake
that cannot sting, it
is not in their nature,
floating beneath the surface
brighter than the sunset of
a thousand Chinese lanterns
every time i kick, they
are there, spinning out into
the water-logged void of centuries
trapped from the ocean
left only to themselves and
one ancient fish
until a stranger climbed a mountain
and dipped his fins into
the water’s edge
***
you see, you met me
in a haze, i was
airy and about to
evaporate with
the smallest heat
and so i clung to this belief
like a lassoed mast
if our words remained words
as in, pixels and letters,
as in, unspoken
then that would mean
some thing.
and so i sat in your poetry
which you lent me, so generously
of orchards and gay lovers and dandelions
dangling from trellises of
sweetness,
gratitude
is what he sang of, a Black man
in Indiana, so in love with soil and soot
it made me want to learn
how to pick up a shovel and
lay by it in a grove of weeds that aren't
weeds, when you call them
by name, next
to you.
feeling slow jazz over
that experimental stuff you
had records, mostly
your father's collection and I
thumbed through their titles thinking
of hand me downs
the things, we, hand down
and the silliness, the way
we always say
daddy issues as if
the victim
were to blame.
and when it was my turn
i made Greek coffee
and you sipped it, and read
the grounds like letters
(like the Turks, you said
which i forgave)
the future splayed all
forms unknowable
and pure,
like the empty
subject line
which we filled
a dozen times and then
a hundred more, with the fruits
we grew in winters weeping
and summer daze, until
we had a garden of our own
to roll in, you picking
at each leaf to save the ants
and me missing
their forests for their seeds
between my teeth
and, for a while, i felt
the earth.
now, how i wish
to turn the years back
to when you gave me your number
and i, romantic and foolish,
never texted, preferring
our strange methods until
the day when i saw
the news and needed
to call you and know
you were
fine.
and now i'm poring over
all those signatures we wrote
changing each one
as if in on some joke,
from "cheers"
and "peace & birds"
to "pizza pies and
harmless lies"
and all the other ways
we chose to say
goodbye.
***
***
i twirled love idly
between my fingers
like the chop sticks i
never learned
how to properly use
when i
was young
and languages
were so easily mused
***